SoundExchange is
an independent nonprofit performance rights organization that collects and
distributes digital performance royalties to artists and copyright holders. SoundExchange
represents artists and is responsible for these artists and copyright holders
in getting paid for their music played on digital radio.
In the past,
SoundExchange has been known for disbursing payment to artists and copyright
holders on a quarterly basis. On January 14, 2014, SoundExchange announced on
their website that they are moving to monthly
royalty payments. The requirements to receive these payments monthly are:
- If the artist or copyright
holder is signed up to receive electronic payments
- If the artist or copyright
holder have royalties due of at least $250
If the artists or copyright holders
do not meet these requirements they will continue to receive their royalty
payments on a quarterly basis. By offering monthly payments to their clients,
SoundExchange is taking their company to the next level. SoundExchange is the
first company to offer monthly royalty payments. According to SoundExchange
President and CEO Michael Huppe, and I quote,
“While SoundExchange was already a
market-leader with quarterly distributions, moving to monthly payments takes
our service to the next level. By making performance royalties available
sooner, we are making it easier for recording artists and record labels to focus
on creating the music we all enjoy.”
So how
many artists and copyright holders are eligible to receive monthly payments?
According to Billboard, SoundExchange tells them that half of its 15,000 to
18,000 payments each quarter are made electronically, and approximately 40% of
payees signed up to receive electronic payment will exceed the $250 threshold.
There are over 2000 services that pay royalties to SoundExchange. Some of the
services include, Sirius XM, Music Choice, and Pandora. Digital performance
royalties have grown and SoundExchange has paid out more than $2 billion in
royalties since 2000.
This is a
great benefit to artists and the copyright holders. I never understood why the
companies held the royalties for so long. If you are an artist or copyright
holder, will you sign up for electronic payments? Do you think this is a good
idea that SoundExchange decided to do? Will other performance rights
organizations follow in the footsteps of SoundExchange? Only time will tell if
this was a great decision made from SoundExchange.
No comments:
Post a Comment